Austin Swanson
Thursday
night was the opening of the ninth annual Appalachian Festival, beginning with
it’s film Triple Divide. Several
people spoke before the film began, including Kara Rogers-Thomas and guest
speaker Barbara Hurd, who is a poet and the author of three books, including Stepping Into the Same River Twice. She
began reading what she, “Thinks of as a five-minute fable,” which paralleled
what the film was discussing.
Triple Divide talks about the impact of shale
gas development and how state governments are trying to handle the situation. Many
findings found in this film that there are clear endangerment issues to both
public and environmental health due to the extraction of shale gas. The factor
that really brought this film to light was the numerous extensive interviews the
filmmakers were able to get with people who had had first-hand experience in
these matters. The film discusses many different and complex issues dealing
with shale gas, and the feeling is the viewer really needs to think about what
the filmmakers are saying. This film shows a breakdown of trust and the
responsibility of the one-thing humans cannot live without, water.
The
idea of the contamination of drinking water through the extraction of shale gas
is disturbing. Several farmers and landowners were interviewed in this film,
all having negative experiences when dealing with this. One farmer even stated
in the film that, “I felt like a visitor on my own land.” He had signed no
previous paperwork allowing companies to dig
for shale gas on his property.
Their
were many scenes throughout the film that were memorable because they
were so disturbing. One scene in particular dealt with investigative reporters
going near a hydraulic fracturing machine at night that had no trespassing
signs around it. When they got to the site, they found there car had been boxed
in by trucks. When the truckers asked for there cameras and they wouldn’t hand
them over, one female reporter was physically assaulted by one of the truckers,
until another reporter pulled him off. After the incident a lawsuit was filed,
and the reporters were called “Eco-terrorists” for trying to sabotage the
hydraulic fracturing work site.
As
the film progresses, the overall changing of color is noticeable, reflecting
the film’s tone. As the film dives into darker material, the colors begin to do
the same. At the beginning of the film, the audience is introduced to a lush
green forest with a river running through it. Then the colors begin to change
from quiet green forests and farmlands to gray foggy backgrounds, to eventual
night, which is when the latter part of the film is shot.
After
the film was finished, several audience members said they were surprised. One
woman said, “I didn’t realize they were going to do it from the watershed’s
viewpoint.” Another woman who said she has resided in the Frostburg/Cumberland
area most of her life explained, “I didn’t realize it was this serious of an
issue. It makes you wonder why we don’t hear about this on the news,
considering it could be happening so close to home.” One couple that drove in
from West Virginia explained, “This is a serious issue. If Pennsylvania
residents are aware of this, why are there neighboring states not as aware of
it as well.”
For more information involving
shale gas and fracking, please visit http://www.theguardian.com/environment/shale-gas.
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